
{"id":519,"date":"2005-11-23T09:57:20","date_gmt":"2005-11-23T16:57:20","guid":{"rendered":"http:\/\/stefangeens.com\/?p=519"},"modified":"2005-11-23T09:57:20","modified_gmt":"2005-11-23T16:57:20","slug":"qualiscom","status":"publish","type":"post","link":"https:\/\/stefangeens.com\/2001-2013\/2005\/11\/qualiscom\/","title":{"rendered":"Qualis.com"},"content":{"rendered":"<p>I&#8217;ve just finished Salman Rushdie&#8217;s <a href=\"http:\/\/www.complete-review.com\/reviews\/rushdies\/shalimar.htm\" title=\"\"><em>Shalimar the Clown<\/em><\/a> &mdash; and what an engrossing novel it is. The prose is luxuriant but the pace is deft; there is never any wading through verbiage. As before, Rushdie&#8217;s lexicon employs thousands of words unfamiliar to the tongue &mdash; this time it&#8217;s Kashmiri names, customs, tools and flora. The effect is that of a literary <a href=\"http:\/\/en.wikipedia.org\/wiki\/Wall_of_Sound\" title=\"\">Wall of Sound<\/a>, wholly immersive.<\/p>\n<p>And yet I notice some misses. Small ones, mind you, unimportant ones, were it not for the fact that the novel fixates on a precisely documented timeline meant to graft its fictional events onto modern history. Avoiding anachronisms becomes Rushdie&#8217;s own high-wire act, but on two occasions I&#8217;ve found him to slip:<\/p>\n<blockquote><p>But even her closest intimates didn&#8217;t feel real to her anymore, [&#8230;] not even her friend who left his wife for a man of the same name, not even her geek friend who was losing his dot-com fortune, not even her broke friends who were always broke, [&#8230;] <\/p><\/blockquote>\n<p>What&#8217;s wrong with that fragment? If it takes place in 1992? Life before the World Wide Web is indeed impossible to imagine, but surely not <em>literally<\/em>?<\/p>\n<p>Elsewhere, our latter-day heroine is driven into Kashmir in an &#8220;olive-green Toyota Qualis&#8221;, a make of all-terrain vehicle that comes to replace the generic term &#8220;car&#8221; on several pages. This fictional event takes place around 1993, when I too happened to travel through Kashmir for a few weeks, except that I don&#8217;t remember any Toyota Qualises. Toyota Land Cruisers, yes, Mitsubishi Pajeros aplenty, but Qualises?<\/p>\n<p>That would be because the Qualis was <a href=\"http:\/\/auto.indiamart.com\/cars\/toyota-qualis\/\" title=\"\">introduced in 2000<\/a> as a locally produced Toyota make, and was <a href=\"http:\/\/www.mouthshut.com\/review\/Toyota_Qualis-70349-1.html\" title=\"\">discontinued in 2005<\/a>, a quick google shows. I can certainly appreciate that in 1993 Rushdie was not in any position to travel to Kashmir himself to check out the cars, but that&#8217;s what the internet is for in 2003.<\/p>\n<p><span class=\"context\">Maybe I&#8217;m being overly nitpicky, maybe Rushdie knows all this but decided the sonorous qualities of &#8220;Qualis&#8221; outstrip the penalty of an anachronism. Maybe a novel as good as <em>Shalimar the Clown<\/em> needs some flaws.<span class=\"sg-marginalia-250\"><a href=\"http:\/\/www.memefirst.com\/001247.html\" title=\"\">Felix Reviews<\/a> <em>Shalimar the Clown<\/em> on MemeFirst, also loves it, yet suspects a plot hole.<\/span><\/span> But these are items <em>I<\/em> would have edited out.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;ve just finished Salman Rushdie&#8217;s Shalimar the Clown &mdash; and what an engrossing novel it is. The prose is luxuriant but the pace is deft; there is never any wading through verbiage. As before, Rushdie&#8217;s lexicon employs thousands of words &hellip; <a href=\"https:\/\/stefangeens.com\/2001-2013\/2005\/11\/qualiscom\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[],"class_list":["post-519","post","type-post","status-publish","format-standard","hentry","category-culture"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7eNhC-8n","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/stefangeens.com\/2001-2013\/wp-json\/wp\/v2\/posts\/519","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stefangeens.com\/2001-2013\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stefangeens.com\/2001-2013\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stefangeens.com\/2001-2013\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stefangeens.com\/2001-2013\/wp-json\/wp\/v2\/comments?post=519"}],"version-history":[{"count":0,"href":"https:\/\/stefangeens.com\/2001-2013\/wp-json\/wp\/v2\/posts\/519\/revisions"}],"wp:attachment":[{"href":"https:\/\/stefangeens.com\/2001-2013\/wp-json\/wp\/v2\/media?parent=519"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stefangeens.com\/2001-2013\/wp-json\/wp\/v2\/categories?post=519"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stefangeens.com\/2001-2013\/wp-json\/wp\/v2\/tags?post=519"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}